Category Archives: Make

Gift Box

03 Tuesday Jan 2012

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As we get back to our normal work and school routine around here, I thought I would share one last holiday-themed project. If there was such a thing as Paper Craft Engineering 101, this would be the final exam. The 4″-square box, lid, and double layer of pockets inside are made from four single sheets of cardstock, scored, cut, and folded to form the structure and its contents.

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When you remove the lid and unfold the box, it transforms into four pairs of pockets. Each pocket holds a decorated, removable tag. The center forms the perfect hideaway for a miniature winter scene made from paper and gel medium.

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I made the gift box around this time last year; it was a promise to the recipient to pray for the items listed on the tags: peace, love, wisdom, faith, joy, mercy, hope, and patience. (I certainly needed and received all eight myself in 2011.)

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The template measurements for the gift box came from Outstanding Mini Albums: 50 Ideas for Creating Mini Scrapbooks by Jessica Acs. The rest of the projects featured in the book are more traditional scrapbooks, and this could easily be used as a keepsake album with pictures on the tags. It would make a fantastic birthday gift or present for new parents. You could also use the tags to record words of advice for newlyweds or wishes for a graduate.

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Projects like this one take time, but I value the focus and solitude of those hours. This is definitely one of those crafts where being a member of the Cut-and-Paste Club comes in handy, but don’t worry — even if you haven’t renewed your membership since kindergarten, the club officially welcomes you back with open arms. Go get your scissors, I’ll wait here. :)

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(Memory Makers: 2009; ISBN 159963032X)

Beachscapes

31 Saturday Dec 2011

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I find most people naturally gravitate toward a certain type of landscape. For some, the mountains are the only real destination, and nothing excites or calms them like hiking and camping in the midst of thick forest, on the edge of cold lakewater. There are those who thrill in wide open, wavy-hot, golden plains, the kind of land where the views go on for miles, uninterrupted and clear.

My own heart’s cry is unmistakable: I love the beach. There is that moment every time when I first see palm trees and smell the salt on the breeze, and I just know I am home. This fall we visited the beach for the first time in years; the first time since my world changed because of unexpected, lasting illness; and only a few short months after I almost lost my life this summer. (Typing that makes me uncomfortable, but I am resisting the urge to tone it down because it is also true. If I don’t acknowledge yesterday’s pain, I think I lose some of today’s victory.) Going back to the beach was a homecoming of the sweetest sort, one of those precious times when you recognize every moment for the gift it is and can enjoy every part of it, from sunburn to sandy toes. I smiled for days, until my cheeks hurt and I had a tan that matched the laugh lines on my face.

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I brought back plenty of shells and a bag full of sand from the beach, and I determined to build a miniature beachscape to live on my dining room table. The ever-faithful T.J. Maxx offered a host of inexpensive choices for clear glass containers, and our local home and garden store stocked a few succulents that are also native to the San Diego beach we visited. The rest was highly therapeutic sorting, pouring, planting, and arranging.

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I love to try new things; that occasionally gets me into trouble, and it quite often gets me elbow-deep in glue, paint, potting soil, or cake batter. (never simultaneously thankfully :) This time it got sand in my teeth and bits of seashells under my nails, but it was delightful. As soon as I finished my little bowl of beach zen, I was ready to make another one.

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I made a second run for plants and glassware, and constructed two more terrariums for close friends, plus a small one for my husband to take to work — a little bit of permanent vacation in the midst of fluorescent lights and upholstered cubicle walls. You don’t need a particularly green thumb to make or keep a beach terrarium with succulents. A splash of water every week or two is all these require.

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After I finished my inaugural efforts, I went in search of a book to learn more. I knew I’d found like minds as soon as I opened Terrarium Craft: Create 50 Magical, Miniature Worlds by Amy Bryant Aiello and Kate Bryant. The title pages picture a terrarium almost exactly like the first I made, complete with sand, shells, reindeer moss, and succulents. The book is a fantastic resource with all the basic how-to’s and ideas for dozens of containers, plants, and decorative additions.

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I love how easy terrariums are to personalize — beaches or mountains; lush and flowering or spare and clean; elegant table centerpiece or quirky office decoration. Terrariums are also a great way to house keepsakes from your latest vacation, a reminder of that dream trip you haven’t taken yet, or your favorite pieces of home. And you don’t need any special gardening or crafting skills to put one together, just a willingness to get your hands a little dirty. Feel free to post your questions, and let me know how yours turns out. :)

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(Timber Press: 2011; ISBN 978-1604692341)

Clockwork Cthulhu

27 Tuesday Dec 2011

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I made all the holiday gifts I gave to grown-ups this year, and these three polymer clay miniatures were without doubt the most fun to construct. I made one each for my husband and two close friends, all of whom like Steampunk and the work of H.P. Lovecraft. For those of you not on that particular bandwagon, be warned: you may feel yourself growing geekier as I explain. ;)

Lovecraft was a prolific horror fiction author from New England who lived in the late 1890s and early 1900s. Cthulhu is one of his monsters of the deep, a sort of winged cephalopod with a few human cousins somewhere on the family tree. Cthulhu is one of Lovecraft’s most beloved creations and has gone on to inspire a whole range of modern fiction and film. (I personally attribute his popularity to those charming tentacles.) Of course little did Lovecraft know, he wasn’t even scratching the surface — have you seen the stuff that actually lives in the deepest parts of the ocean? (Don’t get me started on that episode of Blue Planet with the anglerfish…)

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On to our second geeky definition: Steampunk is a science fiction sub-genre based on a sort of anachronistic alternate future, modeled after Victorian England’s technology. Just picture our society as a Victorian might have imagined it — steam-powered, clockwork-driven, and founded on the principle that everyone wears hats and gloves at all times. Jules Verne wearing goggles + metal gears + computers = Steampunk.

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I love working with vintage materials and I appreciate a vivid literary imagination, so these projects were a good fit. I decided to blend the two genres and create captured, clockwork Cthulhus, so I emptied out my jar of pocketwatch parts, grabbed a pack of glow-in-the-dark Fimo, and got to work. I really enjoyed crafting the tiny clay miniatures, brushing them with mica powder, and posing them in their new habitats.

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I am such a sucker for anything luminescent, and I spent as much time sitting in the dark watching these glow as I did actually sculpting. :) The smallest Chtulhu is about an inch high and spends his life inside a pocketwatch case. The other two measure about 2″ and 4″ across and make their homes in vintage mainspring advertising tins. I used tiny old screws, cogs, and rivets to add a little extra Steampunk flair.

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While studio time is often both cathartic and challenging for me, the hours spent on these were just plain old, inventive fun. They were also a great exercise in using what I already had on hand to create what I had in mind. I vow not to stop here, and there are definitely more tiny clay creatures in my future. I’m thinking a tiny jar of miniature, glow-in-the-dark, mechanical fireflies…

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If you’re interested in making your own Steampunk creations, you might check out Steampunkery: Polymer Clay and Mixed Media Projects by Christi Friesen. Her design sense is a bit different from mine but wholly inspiring nonetheless, and she has a fantastic sense of humor. It’s a great starting point, especially if you’re new to the world of polymer clay. Happy Steampunking!

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Leftovers Fairy

24 Saturday Dec 2011

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As I’ve mentioned before, I love a good bout of organizing and order, and in general I am not one to hoard things away just in case. (After all, my name is actually in the phrase “spring cleaning…”) However, all that goes out the window when it comes to art. My family knows I’ve got first dibs on all empty bottles, tins, and interesting cardboard containers, and my studio features lovingly sorted, labelled drawers full of what others might consider trash: out-of-date maps, vintage greeting cards, pages from encyclopedias older than me, and rusty hinges, just to name a few. I respect and value the daily ephemera of the past, and I hate to waste anything that might one day find new life in a piece of art.

Enter the Leftovers Fairy. He’s a charming, slightly odd little fellow made from a blob of polymer clay left over from the Truth Rocks project. His other features are made from bits and bobs lying around the studio after I made a few Clockwork Cthulhus. The Leftovers Fairy is the patron saint of waste not, want not. He loves listening to cover bands and taking long, moonlit walks at the flea market. His favorite foods are wilted chard, bits of chicken stuck to the bottom of the roasting pan, and slightly stale brownies. He believes in the importance of cleaning your plate and saving your recyclables, and some day he would love to settle down with a nice lady fairy made from popsicle sticks, dryer lint, and glitter.

I think I’m in love. :)

And on this farm, she had a cow…

20 Tuesday Dec 2011

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This time of year is tricky. I am painting and crafting a dozen things I’d like to share with you, but I don’t want to ruin any surprises. I decided this project is pretty safe, as I don’t think my one-year-old nephew is checking the blog very often. :)

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I made this little cutie from a Martha Stewart craft kit called “My First Numbers Book.” The set came with a 6″-square, pre-assembled fabric book and all the appliques for the numbers and animals. My job was to organize and assemble, both of which I enjoy as a general rule.

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Like every other Martha project I’ve ever made, this turned out to be a lot more time-consuming and fiddly than the directions implied. I blame the Martha Stewart-patented font. Anything printed in that tiny, tidy little script automatically looks more manageable. “Decoupage intricate tissue paper shapes on to hand-blown eggs? Sure — it’s only three short steps!” These particular three steps turned out to take almost two hours of pain-staking attention to detail.

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However, also like many other Martha-inspired projects, I really like the results. I am absolutely in love with the brightly-colored animals in this book, and I know my nephew will be too. I can already imagine his enthusiastic cow moos and doggy woofs, and honestly it will be worth all that time and effort just to hear him say the word “bumblebees.” :)

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Truth Rocks

18 Sunday Dec 2011

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Art represents both communication and restoration for me. It helps me revel in the joy of every beautiful, blessed breath I take today. It also allows me to explore and share the hardest parts of yesterday, so that I can grieve my losses and discover the goodness that will undoubtedly come from them.

To me, art is also about relationships, about voicing the feelings and truths that might otherwise go unexpressed. I love that both my children are artistically inclined in their own ways, and I treasure the artwork they share with me; every piece is like a little window into how they feel, what they think, and who they are. Kids are complicated, always changing and questioning and becoming, and I value the glimpses of clarity their art provides.

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A few months ago I wandered on to an art site called Brave Girls Club, and the name alone was enough to win me over. It is run by a pair of sisters whose main focus is art classes that give girls and women opportunity for creative fun while encouraging some real soul-searching, honest reflection. When I saw they were hosting a three-week on-line art retreat for mothers and daughters, I knew it was an opportunity I didn’t want to miss. My daughter was equally excited about the prospect of making art and memories together, so we signed up and gathered our supplies.

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Each week there are new projects with how-to videos, detailed directions, and pdf’s to print out. Last week, we made Truth Rocks. Brave Girls Club provided gorgeous little inspirational phrases, which we printed and cut out, then decoupaged on to the backs of large glass pebbles. The last step was to cover each one with polymer clay; I also stamped mine for texture and brushed on metallic mica dust to give them a little shine.

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I love the sentiments the Truth Rocks express, and there is something so special about reading them, about holding a small piece of something real and beautiful in your hand. It has been touching and more than a little revealing to discover how my daughter perceives me, what needs she senses and what strengths she values.

I appreciate this kind of focused quality time with her, and it also gives me a bit of peace to know she is carrying away something concrete to show her how I feel. An 11-year-old girl’s memory might get hazy with time, and I won’t always be around to tell her how greatly she is valued and loved; but I know the art projects we’ve made in the last few weeks will keep on echoing those important truths.

It’s a small world

15 Thursday Dec 2011

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As I’ve mentioned before, I’m a sucker for life in miniature. (It dawns on me that perhaps it’s not coincidence that we own a toy poodle and a chihuahua…) While there is a time and place for chocolate chip cookies that require two hands, I generally gravitate toward the bite-size. And in the studio, I love the challenge of small, intricate artwork. If life is in the details, I’m living well. :)

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It should come as no surprise, then, that I was so excited to read Microcrafts: Tiny Treasures to Make and Share by Margaret McGuire and friends. It contains patterns and pictures for 25 little whimsical projects. Among my favorites are matchbox-size felt monster babies, walnut shell sailboats, and mini-fabric bunting just crying out to decorate the top of birthday cupcakes. However, there was no contest for which piece I would try first: as soon as I saw the itty-bitty solar system mobile, I was already reaching for my art supplies.

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I recently tried my hand at felting for the first time (the process of making handmade felt from wool roving), so I already had a bin full of hand-dyed alpaca wool waiting to be turned into little planets. The process itself was fairly simple and the only other requirements were soapy, warm water, a bamboo mat (like the type sushi is rolled on), and a little patience.

This turned out to be a great do-together for my daughter and I, as we took turns rolling and shaping the wool into various heavenly bodies. (The only drawback was that our hands smelled like wet alpaca for days. I can now add “smelling like a llama left out in the rain” to my list of Weird Things I’ve Done for Art.) The finished felted spheres range in size from 3/4″ to 1 1/2″ in diameter, and as you can see from the pictures above, they are a fraction of the size of the wool balls with which we began.

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After a day of drying time, assembling the mobile was also pretty straightforward — just a matter of threading embroidery floss through each piece and tying them on. I harvested a couple of twigs from the tree in our front yard to use as the hanging frame (quite possibly the only useful contribution a Bradford pear tree ever made). I already knew my complete lack of scale wouldn’t be winning me any new astrophysicist friends, so I threw in Pluto too. Really, how could I possibly make a miniature solar system model and not include our diminutive neighbor? (Don’t worry Pluto, you’ll never be too small for me.)

(Microcrafts, Quirk Books: 2011, ISBN 978-1594745218)

Inspired

08 Thursday Dec 2011

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What a sweet source of inspiration my children are! Every day they inspire me to do more, create more, trust more, and love more. They remind me to take chances, both as an artist and a human being. This art journal is my attempt to capture my daughter’s passion, humor, and creativity and what an encouragement those things are to me.

Since this is meant to be more journal than scrapbook, I started by writing a series of letters to Kenzie about the ways she delights and inspires me. Then I added in photos I took while she was in full-on create mode, with sketchbooks, markers, and pencils spread out all around her.

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The journal itself started life as a blank 6″x6″ chipboard window album from Maya Road. Each page has a cut-out that allows you to view the next, so it was a fun challenge to place all the pictures and papers so that images showed from one page to the other. I chose papers and embellishments in my daughter’s favorite bright palette, with a vintage feel that she also loves.

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My daughter’s artwork is much like her: cute, quirky, and fun. I asked for donations of drawings and then cut them out and placed them so they are highlighted among the letters and photos. Her imagination is full of the cutest little characters.

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One of the things I admire most about Kenzie is how fearlessly she loves. Whether it’s the people around her or her newest hobby, she is completely prepared for joy. My challenge as a parent is to help her guard her heart, and yet somehow she teaches me more every day about opening mine up.

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One of the most valuable lessons I learned from my recent health issues is not to wait. I want my loved ones to know they are treasured because I have clearly said and shown it is so. I think this journal is a step in the right direction. :)

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Paper monster invasion

04 Sunday Dec 2011

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Thanks to my artsy kiddos and their new favorite book, there are miniature paper monsters cropping up all over the house. Their cumulative paper-crafting zeal and Papertoy Monsters: 50 Cool Papertoys You Can Make Yourself! by Brian Castleforte have populated our dining room table with a 5″-tall community of charming little creeps. (Clearly the cut-and-paste gene has been passed on. :)

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There are 50 original papertoy templates in the book, from Confetti Yeti to Octopup. Author Castleforte and the 24 other contributing artists are talented, imaginative designers, evidenced by their fun paper menagerie. The monsters all feature a mini biography and easy-to-follow instructions, and they are printed in full color on cardstock that’s been both perforated and pre-scored for easier assembly. I am usually leary of “just tear here” paper crafts, but these actually work; unlike my daughter’s paper doll years, the last few weeks have heard very few cries of frustration over inadvertent paper amputees.

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I would recommend Papertoy Monsters for those over age 10, including the grown-up paper artist with a sense of humor. Some monsters require more of a patient, careful hand than others, and I wouldn’t give this book to an amped-up fifth grader who needs to run off a sugar high. But it is just right for quiet time, and in my years of teaching art, I have found kids of all ages have a surprising capacity for focus and detail if the project is engaging and the end result worth the effort. These papertoys certainly meet those requirements.

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(Workman Publishing: New York 2010, ISBN 978-0761158820)

Housewarming Tree

30 Wednesday Nov 2011

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I made this paper tree full of birds as a housewarming gift for dear friends who just moved in-state. Something appealed to me about using vintage maps to welcome them, and the colors seemed a good fit for their charming 1920s home. I am often drawn to using books and text in my artwork, a natural tendency I suppose for an English major and bibliophile. I’m among the few shoppers for used books who entirely bypass consideration of subject matter in favor of pretty fonts. :)

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Making the little birds required some patience, but I don’t mind that at all. Whether in the kitchen or the studio, I find great therapeutic value in hours spent on methodical, detailed tasks. It gives me the opportunity to put all my energy into accomplishing one single thing well. That kind of focus is an increasingly rare occurrence among my other daily responsibilities, and I find I need the balance provided by those deliberate, harnessed moments; they result in a beauty of their own, no matter what I create.

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One of the housewarming tree’s layers of texture comes from cashmere wool the color of linen (also the color of book pages). I finished the tree off with a curled paper nest at its base. It probably says more about me than I care to admit that the little paper nest didn’t get added until three weeks after I originally gave the tree away. I planned to put it on there all along, but my life seldom divides neatly into “before” and “after,” so why should my artwork? I kind of like the potential in that.

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